The Paradox of Madonna’s Gun-Control Music Video

Madonna has presented herself as a fierce warrior against gun violence lately, and the result in large part has been offensive to folks that survived gun violence. Last week, she released a song video that depicted a bloodbath at a discotheque, and Patience Carter, who lived via the taking pictures at Pulse nightclub in Orlando, Florida, tweeted, “I applaud the attempt, but I am surely disturbed.” Brandon Wolf, a survivor of the equal occasion, said, “Appreciate the message; however, please understand that there are human beings in the back of the prop you’re the usage of.” Emma González, a distinguished propose most of the Parkland, Florida, college-capturing survivors, took a few days to acquire her thoughts and then announced this: “Madonna’s new video for her music #GodControl was fucked up, it turned into horrible.”

Madonna’s Gun-Control Music VideoIt’s especially putting to look González object. “I Rise,” the very last track on Madonna’s new album, Madame X, opens with a pattern of González speaks at a rally following the 2018 Marjory Stoneman Douglas High School taking pictures. González’s words on that music—“Us kids don’t realize what we’re speaking approximately. That we’re too young to apprehend how the government works. We call B.S.”—are introduced in a sharp, arresting yell, which cuts contrast with the rather established empowerment fare that then unfurls. “Died one thousand times, managed to continue to exist, I can’t spoil down now,” Madonna sings over sluggish-clacking drums and semi-poignant violins.

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There’s been praise for “God Control” from gun-manage advocates as properly—March for Our Lives thanked Madonna for “the use of your platform”—however, the normally combined reaction is standard of the atypical spot that the Queen of Pop reveals herself in 14 albums into her career. Though patchy throughout, Madame X has a declare because of the most adventuresome, politically formidable paintings in her catalog. But unforced mistakes and clumsy attempts at developing communique have complicated what will be a positive bankruptcy for her. Her insistence on communicating regularly within the crudest, maximum blunt terms have proved a distraction, all over again.

“God Control,” the third tune on Madame X, runs extra than six mins lengthy and seems like a few songs in one. To open, Madonna sing-mumbles unluckily about the country of the country: “I assume we apprehend why human beings get a gun / I think I apprehend why we all surrender.” A kids’ choir cuts in, magisterially delivering the now not-so-subtle pun of the title: “We misplaced God manage.” Then the music transmutes into a schmaltzy, irresistible take on Philadelphia soul, evoking polyester pants and cocaine spoons. “It’s a hustle,” Madonna pants amid typically zany verses approximately “a brand new democracy.” It’s difficult to say what exactly goes on, but it’s possibly a camp remark on the manner human beings can dance in the face of disaster. Moreover, the track is catchy and fun. It works.

The video takes any of the tune’s ambiguity and subtext and lighting fixtures it up in dynamite. The director Jonas Åkerlund cuts among scenes of Madonna typing the lyrics on a typewriter and scenes of a flamboyant disco birthday party being shot up by someone with an assault weapon. The video movements backward in time, from the height of the massacre to the component earlier within the night time when Madonna’s individual became on the membership dancing. The pop-pop-pop of the gun is horrifyingly loud and combined over the track. At her typewriter, as she hears the information of the taking pictures, Madame X cries. Text at the cease of the video delivers stats on gun violence and requires firearms manipulation.

Madonna argues that the video is traumatic on motive because it’s a “wake-up call,” according to her lyrical refrain. “This is virtually occurring,” she told People. “This is what it looks like. Does it make you feel bad? Good, ’purpose then maybe you will do something about it.” But it’s clear using now that the people whom the video made “feel bad” have been doing matters about it. Survivors of shootings who have, in reality, rallied for gun management say they experience used as props. Their critique is sensible sufficient. It’s now not as although gun violence has long past undepicted in our mayhem-packed popular culture. It’s no longer like tragedies together with Pulse and Parkland haven’t been galvanizing shocks in their very own right. The “God Control” clip stylizes trauma and amplifies it, but it doesn’t push the communication anywhere. People unsympathetic to Madonna’s cause aren’t in all likelihood to be moved; human beings sympathetic to her reason are left feeling drained.

Then again, enervating her supporters has been Madonna’s M.O. In current years. In 2017, at the Women’s March, she stated she thought approximately “blowing up the White House,” she becomes making an honest announcement of frustration that got weaponized via Donald Trump and his spokespeople to attack the resistance movement towards him. This year, the New York Times contributor Vanessa Grigoriadis attempted a sympathetic, however unflinching profile specializing in Madonna’s uncommon vicinity as a 60-year-old diva-pioneer-provocateur; Madonna stated the thing made her sense “raped,” the usage of a period that the writer had implied Madonna employed too casually.

Asking Madonna to tone things down at this point is silly—she’s made a career with the aid of teetering on the line of right taste—however, to pay attention to Madame X is to wonder whether or not small recalibrations far from shock for surprise’s sake ought to revitalize her career. Influenced by using the time she spent living in Lisbon and visiting Latin America and Europe, the song flirts among peppy, moody intrigue and unnecessarily grating detours. Vocally, she tends in the direction of an over-vehicle-tuned sort of making a song. Her knack for clunky lyrics is perverse. “We constructed a cartel just for love,” she says, now not so cleverly, on one among her two in any other case strong duets with the Colombian singer Maluma. Another music, “Killers Who Are Partying,” has her laundry-list marginalized human beings internationally and suggesting she is one in all them: gay, African, Muslim—it’s all of the same, goes her implication.

Now the surely bizarre amalgam this is the tune “God Control” has been sacrificed to an unwatchable costumed massacre in the name of creating a factor. As constantly, Madonna doesn’t permit purchasers to sink into her pop-political experiments; she doesn’t let her suitable thoughts stand on their personal. They ought to continually include a wince—and what’s too awful is that the people most possibly to wince are those she claims to need to assist.

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